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PA Challenges Director’s Vision, Mom Says She Should Apologize To Save Her Career

by Marry Anna
December 26, 2025
in Social Issues

Creative industries often encourage collaboration, but they also rely heavily on experience and chain of command.

For someone early in their career, knowing when to contribute ideas and when to stay silent can be confusing, especially when the final product feels disconnected from its target audience.

In this situation, a young production assistant found herself frustrated by decisions made by the person in charge. She believed the creative direction would not resonate with younger viewers and tried to intervene in ways she felt were helpful.

Instead, her actions were seen as interference, leading to a heated exchange and an abrupt dismissal.

PA Challenges Director’s Vision, Mom Says She Should Apologize To Save Her Career
Not the actual photo

'AITA for telling my producer/boss the way he’s filming a commercial/Indy film I’m working on is not going to appeal to young people?'

I will make this very short because my mom says I need to apologize. I say I was doing my job.

She says since she got me the job, her ass is on the line too.

I’m working as a PA for a director who is shooting a national commercial that will appear on YouTube.

He has permission from his agency to shoot b-roll for an independent film he’s working on while we are in prep for the main shoot.

The trouble is he’s like 60, and the commercial is for late teens, early 20s, and his Indy movie is about a TikToker who is starting a band.

The way he’s shooting it SUCKS, and no one is going to watch his ad, and his Indy film is so nonsensical.

I gave him some advice on Friday, and he was so rude that he told me he didn’t want to hear it.

I repositioned some cameras yesterday, and he said I “f_cked everything up,” and then yesterday I told the actor

that maybe if they slowed down a bit, it would have more impact.

The director said either I stop meddling and apologize, or don’t come back tomorrow (today).

I said he needed to apologize for swearing at me and making me feel unsafe. He told me to get off his set and not to come back.

This is when I went and told my mom, and she said I was way overstepping and I needed to apologize, and if I want to

stay working in entertainment, I need to realize I’m not an expert yet.

I was trying to do my job, so I’m having a hard time understanding what I did wrong. AITA?

In creative industries like film and commercial production, hearing feedback from junior crew members feels intuitively positive, but the context in which it’s offered matters as much as the content of the feedback itself.

In this scenario, the OP was motivated by a sincere desire to improve a commercial and a related independent project aimed at younger audiences.

She observed choices she believed would not resonate with late teens and early-twenties viewers, and she attempted to speak up, reposition equipment, and offer direction.

From her point of view, she was helping the project succeed. However, film production, even on smaller sets, operates within a strict hierarchy of roles and responsibilities.

The director and producer have formal authority over creative decisions, and those below them are generally expected to follow direction rather than lead it. Crew hierarchy guides who is responsible for what, and it helps maintain clarity and efficiency on set.

On set, communication and collaboration are critical but structured norms. Industry guides emphasize that everyone from the director to production assistants must keep communication channels clear and respectful to prevent misunderstandings and costly errors.

Effective coordination ensures that equipment is placed intentionally, actions are synchronized, an d creative choices are executed smoothly.

Filmmaking etiquette reinforces this point: respecting roles and procedures isn’t about suppressing ideas, but about ensuring safety, efficiency, and cohesion in a high-pressure, fast-paced environment.

Workplace research on feedback culture adds another dimension.

Organizations that cultivate a positive feedback environment, where feedback is invited, structured, and constructive, tend to foster better collaboration, clearer communication, and improved outcomes for team performance.

Conversely, when feedback is unstructured, unsolicited, or perceived as confrontational, it can lead to interpersonal friction and diminished trust.

Studies also show that when employees feel their voices are genuinely heard through appropriate channels, the overall organizational climate improves.

Effective feedback settings help prevent conflicts because all team members feel understood and included in the process.

In creative contexts, the timing and framing of feedback are just as important a s the feedback itself.

Research on healthy feedback cultures suggests that feedback works best when it is clear, specific, and delivered with mutual respect.

Well-structured channels, like regular check-ins, directed strategy sessions, or designated creative notes sessions, allow team members to offer insights without overstepping authority.

This type of environment encourages everyone to contribute ideas while respecting the roles that others hold.

In the OP’s case, the conflict came not just from what she said or did, but from how it was perceived.

Her interventions, repositioning cameras or suggesting changes to actors, were seen by the director as interfering with his creative control and the execution of his vision.

This dynamic is predictable in filmmaking, where hierarchy and directorial authority are essential to keep production on schedule and cohesive.

The OP’s instincts to improve the work are not inherently wrong, but choosing how and when to provide input matters greatly.

Constructive feedback is most effective when it’s solicited, framed respectfully, and delivered through appropriate channels.

Instead of unsolicited suggestions on set, proposing a structured discussion during prep meetings or notes sessions respects hierarchy while still contributing valuable perspective.

Likewise, understanding that on-set etiquette prioritizes chain of command can prevent conflicts that arise when well-meaning crew members unintentionally challenge leadership.

At its core, this situation highlights the tension between creative input and professional hierarchy.

The OP’s passion for the project and confidence in her perspective are assets, but without alignment on communication norms and respect for set roles, even well-intentioned feedback can create friction.

Balancing respect for roles with open dialogue, and choosing the right context for feedback, can help creative teams integrate diverse insights without undermining authority or collaborative harmony.

Let’s dive into the reactions from Reddit:

This group hammered home the same point: a PA’s role is strictly supportive.

DwayneBaroqueJohnson − Yeah, YTA. If you're a PA, your job is answering emails and organising his calendar,

not weighing in on his creative decisions, moving equipment from where he wants it, or telling the actors how to perform

GothPenguin − YTA, PA doesn’t mean to tell the director or the actor what they need to do differently.

It doesn’t mean repositioning cameras or acting like you know mine than the people around you. If you want to keep the job, learn your place.

nashguitar1 − A PA giving a director unsolicited creative advice is a massive faux pas. YTA.

[Reddit User] − This has to be a joke. Of course, YTA. Stay in your lane.

These commenters were especially harsh, accusing the OP of entitlement and ego.

muse273 − YTA, and if you have any actual interest in working in this field, you need to immediately pull your head out of your ass.

You seem to believe that being hired as a PA makes you the next best thing to the director.

Or above the director, since you apparently felt entitled to correct him. What on earth makes you think you’ve earned that right?

Put aside the director, who’s obviously your boss.

You don’t move equipment without being told to, you’re wasting their time and money, and interfering with the setup.

You REALLY don’t give notes unrequested to an actor. That’s incredibly disrespectful, even from their peers.

Notes come from the director, because they’re the boss. You’re not their boss. You’re not their peer.

As a PA, you are at most their flunky. And as a final touch, you’re a major a__hole for trying to weaponize

“I feel UNSAFE” because the person whose shoot you fucked told you you fucked up his shoot.

He doesn’t owe you an apology for your f__king up, and you’re not a delicate flower who is imperilled by naughty language.

You’re a presumptuous employee who just tantrumed your way out of a job, probably did your mom

professional harm, and apparently have learned nothing since you keep interjecting about how they were

just making you run errands, so obviously you had to assert your authority.

As a PA. Sorry to your mom.

fizzbangwhiz − YTA. Your job is to assist the director in executing his vision.

Your job is not to make your own creative decisions or to give him advice. Your job is certainly not to give the actors direction.

You are literally the least important person on the set, and your opinion carries no weight. That’s what a PA job is.

You acted like an ass and delayed production, so a natural consequence of that is the director yelling at you.

You are the one who owes him an apology, not the other way around.

He’s already being kinder than he needs to be by giving you the opportunity to apologize and come back to work; a lot of people wouldn’t bother.

If you think you can keep your ego in check and do as you’re told, you need to go back and apologize.

involuntary_cynic − You're not trying to do your job, you're trying to do his job.

A job you clearly have no experience in or understanding of.

You'll be lucky if you're allowed back, but you should apologise anyway to help salvage your mother's reputation. Oh, and YTA.

[Reddit User] − Omfg you’re a PA and REPOSITIONED A CAMERA!? Clearly you’re an inexperienced

or completely s__t PA if you don’t know/care that kind of behaviour will get you fired immediately from any set.

On top of that, you think you have the right to tell the director how to do their job!?

YTA, not only for your astonishing entitlement, but for the complete lack of understanding of what your job actually is.

You’re lucky you were only sworn at by the director; if any real camera guy ever caught you touching

their equipment, I can’t even imagine what they would do.

Source—have worked in film for 14 years, some of that as an actual PA, both on set and in the office.

My mind is BLOWN that you moved a camera holy s__t. Do not f__k with transport, and do NOT F__K WITH CAMERA.

[Reddit User] − YTA. And I’m confused if it’s just a generational thing, but when young people say they “feel unsafe,”

does that actually mean uncomfortable? Because that’s how it often seems to be used.

This group leaned into industry norms and hierarchy.

Jaime-girl − BAHAHAHAHAHA! I have a hard time believing this is real because I've never been on a set

where touching the cameras when it's not your job wouldn't get you IMMEDIATELY fired.

But just in case your mom is Shonda Rhimes, and so you have more protection than the average PA: You're a Production Assistant.

Your job is to fetch coffee, send emails, bring talent to locations, etc, as assigned by the director. AS ASSIGNED.

Anything outside of your assignments is outside of your scope of duty. YTA.

rampaging_baby_t-rex − He's 'like 60' and someone who gets hired to shoot a commercial for a national audience,

but because you're young, you have more expertise than he does?

YOU REARRANGED CAMERAS AND GAVE ACTORS NOTES? You're a cocky one to march in there knowing everything about everything.

If he misses his audience, that's his problem, but it's not likely.

He's been doing this longer than you've been alive. Old does not mean out of touch, and young does not mean clued in.

YTA. Wow. Apologize. To everyone. Including the actors.

OdyDggy − So much entitlement... Who do you think you are??? Do you even have any experience in the field???

Have you done anything to even start questioning a director's choices? So entitled.

YTA BIBIONE, you should apologize and learn to stay in your lane.

elephantsbelike − As someone who has been working in the industry since I was 17 YTA, you’re never getting hired again by ANYONE on that crew.

You CANNOT move cameras without permission; if it’s union, it’s “illegal” to interfere with their work.

And if you’re a PA, I doubt you’re in the room with creative when they discuss what they’re doing.

If they had asked you for your opinion, that’s valid, but you got hired to do a job, and you just made

everyone’s life harder, wasted time and money, and sounded like a nightmare to work with.

If someone contacted me about what it was like to work with you after experiencing that, I would flat out tell them all this, and they wouldn’t hire you.

This is the exact reason people who go to film school are hated in the industry.

I literally have to hide from going to film school on set because of people like you.

These users focused on boundaries and “knowing your lane,” mocking the idea that discomfort equaled being unsafe.

[Reddit User] − YTA. You weren’t trying to do your job. Your job was to go to Costco. You were trying to do HIS job.

You arrogantly overstepped in an industry where people bend over backwards to get the position you had.

His movie, his commercial, his career on the line, his rules.

I doubt you’ll be allowed back at this point, with or without an apology, but you should apologize to both the director and your mother.

To him for being an arrogant know-nothing, and to your mom for wasting the favor she called in to get you hired.

That’s really embarrassing in a professional setting.

TheYungHomie2017 − YTA. Being a PA is an entry-level job, and it’s not glamorous.

You’re there to run errands, follow directions, and help out in any way that the director needs.

Hopefully, you use that time to learn about filmmaking from someone who’s been doing it for a much longer time than you.

You’re also TA for damaging your mom’s reputation by coming off as entitled and actively disrupting this production.

This story split readers right down the middle. Film work runs on hierarchy, timing, and trust, and good ideas can still land badly if delivered the wrong way.

Was this honest feedback doing the job, or a PA overestimating their role? Where’s the line between creative input and career self-sabotage? Drop your verdict below.

Marry Anna

Marry Anna

Hello, lovely readers! I’m Marry Anna, a writer at Dailyhighlight.com. As a woman over 30, I bring my curiosity and a background in Creative Writing to every piece I create. My mission is to spark joy and thought through stories, whether I’m covering quirky food trends, diving into self-care routines, or unpacking the beauty of human connections. From articles on sustainable living to heartfelt takes on modern relationships, I love adding a warm, relatable voice to my work. Outside of writing, I’m probably hunting for vintage treasures, enjoying a glass of red wine, or hiking with my dog under the open sky.

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